Ageless and Evergreen…Holiday Card 2015

Gregory_Byerline_Christmas_Card_2015_Evergreen_Dress‘Tis the season to play in the studio with some of Nashville’s top creative bridal professionals to bring you what has become one of the most anticipated shoots of the year…the annual winter holiday card. This year’s takes on the evergreen theme as we deck the bride with boughs of holly-related branches.

Here’s how it came to be…

Last Christmas season, I saw an evergreen dress created by my friend and colleague Rita Buck-Chanatry in the shop window at Glitz Nashville. Casually mentioning to her then that it would make a great Christmas card for the following year. Fast forward 11 months to Thanksgiving weekend when, after a full season of work and welcoming our newborn son into the world (reeealllly full year), it dawned on me that it was officially the holiday season.

And it was high time we get cracking on this idea!

Hooray for 11th hour creativity, though I confess our shoots are typically much more planned. But when you’re working with some of the best in the business, things can happen quickly when focused on a single vision.

That single vision was a real bride in a one-of-a-kind, real evergreen dress. And Rita knocked the evergreen dress over the proverbial snow-covered fence clear to the North Pole!

Ageless and evergreen.

These shoots started in 2011 to showcase Nashville’s fine collection of talent with a passion for bridal fashion. From bridal gown designer/boutique to hair/make up stylists to set design to lighting production and everyone in between–the Who’s Who of Nashville’s bridal fashion–our mission is to celebrate the season and show that brides have access to the high end magazine look for their bridal portraiture right here in Music City.

Here’s to you this holiday season as we celebrate the power of a portrait to encapsulate the pinnacle of your style and elegance. Cheers to another stellar year!





P.S. Big thanks to these talented professionals for their marvelous work on this shoot. Make sure they’re a part of your wedding day plans.
Glitz Nashville / Tuxedo (by Behar Sebastian)
Rita Buck-Chanatry / Couture evergreen dress
Michelle Brooke / Hair and make-up stylist
Bekah & Josh Orr / Real bride and groom

Also…big thanks to Cris Cunningham of Hitched Wedding Cinema for this short behind-the-scenes film of this fun shoot in progress.

Unveiling Lee and Continuing A Family Tradition

Lee in Jasmine Couture bridal gown from The Bride Room

Lee in Jasmine Couture bridal gown from The White Room. Shoes by Jimmy Choo. Hair & make-up styling by Michelle Brooke.

Summer wedding season is in full swing here in Tune Town, which means I can now share some pre-wedding bridal portraits that have been kept secret until the bride’s big reveal on their wedding day.

With that, I’m thrilled to introduce you to the lovely Lee who married Colin this past weekend at Natchez Hills Winery, tucked serenely in the rolling countryside about an hour south of Nashville.

This portrait session was extra special. Here’s why…

I’ve been an ardent proponent of the bridal portrait as the most important portrait of a woman’s lifetime. In previous posts, I mentioned that “You owe yourself a fabulous bridal portrait at your most glamorous. Your grandkids will fight over who gets the heirloom print.”

While an actual fight isn’t the desired outcome, the value and importance of the portrait is worthy of your grandchildren’s passions, elevating the wall print to family heirloom status.

That part definitely rings true, especially with Lee…because one of the first photos she showed when we met for coffee was her grandmother’s bridal portrait that she treasures in addition to her mother’s. And she wanted one too.

That tradition continues with this third-generation bridal portrait, and I am honored to be a part of that history (more about that later). 8)

Congratulations to Lee & Colin. Cheers to you both as you begin your history together in L.A. Thank you for letting me be a part of your marriage celebration festivities.





About the session
Lee chose a studio session for a sleek, less-is-lots-more approach to focus fully on her Jasmine Couture gown from The White Room, Jimmy Choo shoes, and the bride herself who brings them to life. Hair and make-up styled by Michelle Brooke.

10-year Retrospective…Where Passion Was Reborn

Ten years ago…to the minute, to the day…my passion and obsession with photography was reborn. With this shot.


“Grinnell Point” on Swiftcurrent Lake in Glacier National Park

The Early Years

My journey into photography reads like a tome you’ve heard before…received first camera (which I still have) from my grandparents has a young teenager which set off years of shutterbug activity that nearly broke my family with film and processing expenses until I was legal working age at which time I made myself broke with film and processing expenses.

With this camera, I photographed the world around me…fresh snow on the Central Illinois plains, my dog Beau, sunsets over corn fields, fallen trees, raindrops on the clothes line, dew drops on roses. These were a few of my favorite things to shoot. (see what I did there?)

This led to photographing the rotunda of Illinois State Capitol building (which is remarkable, by the way), the setting sun rays on the Gateway Arch in St. Louis, my first portrait session with high school girlfriend from another town (hi Susan!) atop a park hillside, earning ribbons in local photography competitions, and so on. All natural light; no supplemental/studio light. Didn’t really know what I was doing, but I had a knack for seeing and composing the shot. Occasionally, I lucked into a proper exposure, though I couldn’t tell you how or why the image was properly exposed.

Still the Early Years

I put the camera down for a couple years upon entering college as an accounting major. Feel free to laugh. Me. Accounting. Yeah, that didn’t last long. One year and three weeks to be exact. Intermediate Accounting took me out of the accounting world and into the business management degree. Subtle shift which enveloped more of a conceptual knowledge base and involved people. Still, the one and only official photography schooling I had included an elective photography class in college which produced more of the same kind of images, except they were shot on black-and-white film. That was the only change. No increase in skill or image artistic quality.

So I put the camera away, completed my BBA degree, and moved to Nashville to work in the music industry with that camera packed somewhere in a box that I moved from apartment to apartment to condo to house to apartment then unpacked for our honeymoon in Maine, which netted a whopping five mostly-usable images because I didn’t know photography. I owned a camera, but I wasn’t a photographer (I also own a guitar, but I’m also not a guitarist). I knew how to load the film, compose the subject, press the  button, and manually wind the film. That was it.

So I put the camera back in a box for several more years.

The Road Trip

Twenty years after receiving this camera as a gift, Meghann and I began planning a road trip through Montana, my second time there, her first.

Remembering the lack of images from our honeymoon, there was no way this camera and my lackluster technical skills were making the trip together. It was time to dedicate some time and energy to learning the basics so we could collect our Montana memories in rectangles. I bought a semi-pro camera and applied cursory attention to what the dials and buttons did, became frustrated, and put the stupid thing on fully automatic and headed to the airport.

Revisiting my early shutterbug days, I shot pretty much everything in sight…a plane on the tarmac, an old schoolhouse, docile horses, rural gravel roads, “entering grizzly country” signs, just stuff. All to confirm that “point, focus, press button” worked. We reached St. Mary, Montana on the eastern entrance of Glacier National Park in early evening after a full day of travel then found ourselves at the lodge restaurant for dinner and huckleberry pie (pie!) before crashing into bed for the following day’s exploration of God’s back yard.

The Awakening

Something happened during that sleep. Perhaps it was the crisp Big Sky air in June. Perhaps it was Glacier National park itself. Perhaps it was the profound feeling of being small amidst the magnificent mountain grandness. Perhaps it was the huckleberries. The following morning, I set out to move beyond taking pictures and making pictures. I wanted blue skies in our Big Sky personal postcards, and I was determined to make those happen.

After breakfast, including huckleberry scones (blissfully underbaked), we trekked into the park and found ourselves at Many Glacier Lodge resting on the banks of Swiftcurrent Lake, and there she was…Grinnell Point.

Her reflected presense stopped me in my camera-hanging-around-my-neck-like-a-nerdy-tourist tracks.

This time, instead of swiftly raising the camera to my face and clicking mindlessly before continuing along the shore, I stopped. Mental recollections of iconic Ansel Adams photographs bounced around my head, and I breathed it all in. I studied the scene (which is awe-inspiring…go, if you’ve not been there). This is the moment. Compose, reject. Recompose, nah that’s not it. Look again. Stoop low and look from a different perspective (thank you, Mr. Keating). Yes! There it is…before my eyes in the viewfinder. Click.


Got it. And, man, did I get it. I got a shot of adrenaline. I got the thrill of making a picture instead of merely taking one. LCD screen gave me a high-five that I got it.

Lots more to learn still, but this time it clicked. And this set into motion the past decade of my life, fueled by this soul-chilling passion of photography through which I’ve seen the world with new eyes, passionate purpose, and improved technical skill, and I’ve met hundreds of amazing people. That’s the real magic.

And it all started with Grinnell Point. And huckleberries.



P.S. To read how, and why, I moved from photographing places to people…read this and this.

P.S.S. Purchase a signed, limited-edition print of Grinnell Point, click here. Cheers!

About the Most Important Portrait of Your Life

I believe bridal portraits are the most important portrait of a woman’s lifetime. Watch here to see and hear more about my perspective and why I do what I do. Let’s make yours.

Cheers to you!





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